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Pagan Peak


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Ray Flook of Bleeding Cool reviewed the pilot episode of Pagan Peak, which depicts "crime scenes with symbolically posed victims, reminiscent of pagan rituals."[4] Die Presse's Anna-Marie Wallner observed the series title, Der Pass, has multiple meanings, both the geographical location between Austria and Germany and the annual festival group of St Nicholas, Krampus and the Angel.[1] Wallner praised the "courageous and rather unusual" storyline, where the villain is revealed to the audience in episode 3 while "tension nevertheless persists."[1] Der Spiegel's Oliver Kaever felt, "It is about isolation, the power of the Internet and digital surveillance fantasies... [and] the enormously spreading grief here that man is a wolf to man. And the world is not a place that forgives."[17]


The series premiered at the Tribeca TV Festival. It follows German detective Ellie Stocker (Julia Jentsch), who has to team up with Austrian counterpart Gedeon Winter (Nicholas Ofczarek) to investigate a murder on the German-Austrian border. As they delve deeper into the case, they discover more crime scenes with symbolically posed victims, reminiscent of pagan rituals.


Here, though, storylines diverge quickly as we learn that the murder evokes concepts in ancient pagan rituals, such as the Green Man and the Celtic wood god Cernunnos, as well as the Austro-German Christmas tradition of the Krampus. Who is this Krampus Killer and what does he want


The first four episodes are an explicit exploration of borders and boundaries, particularly with reference to the Krampus and pagan religions. Without wishing to go all Michel Serres and start talking about liminal deities, the Green Man/Wild Man tradition involves a figure who can cross boundaries, including life and death, nature and man, country and town. You get the idea.


The producers could have redeemed the show by having an actual pagan expert on staff and/or by having a pagan character to weigh in on the lack of pagan-ness when it came to Krampus, the killings, the altar, and the messages from the Krampus Killer.


When a gruesomely staged body is found, propped up on a mountain pass in the Alps close to the German-Austrian border, two detectives are sent to investigate. For German detective Ellie, this is the first real challenge of her career; her Austrian counterpart Gedeon though seems to have lost any ambitions in his job. Very soon, they discover more crime scenes with symbolically posed victims, reminiscent of pagan rituals. It all seems to be part of a bigger, sinister plan. Ellie finds herself under increasing pressure to understand the deranged killer's motives so she can stop him. The hunt leads them ever deeper in the dark valleys and archaic Alpine customs - and the paranoid world of the killer. 59ce067264






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